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----- The Tramp (Charlot in several languages), also known as The Little Tramp, was British actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. The Tramp is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915.
The Tramp, as portrayed by Chaplin, is a childlike, bumbling but generally good-hearted character who is most famously portrayed as a vagrant who endeavors to behave with the manners and dignity of a gentleman despite his actual social status. However, while he is ready to take what paying work is available, he also uses his cunning to get what he needs to survive and escape the authority figures who will not tolerate his antics. Chaplin's films did not always portray the Tramp as a vagrant, however. The character ("The little fellow," as Chaplin called him) was rarely referred to by any names on-screen, although he was sometimes identified as "Charlie" and rarely, as in the original silent version of The Gold Rush, "The little funny tramp".

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----- The Tramp (Charlot in several languages), also known as The Little Tramp, was British actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. The Tramp is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915.
The Tramp, as portrayed by Chaplin, is a childlike, bumbling but generally good-hearted character who is most famously portrayed as a vagrant who endeavors to behave with the manners and dignity of a gentleman despite his actual social status. However, while he is ready to take what paying work is available, he also uses his cunning to get what he needs to survive and escape the authority figures who will not tolerate his antics. Chaplin's films did not always portray the Tramp as a vagrant, however. The character ("The little fellow," as Chaplin called him) was rarely referred to by any names on-screen, although he was sometimes identified as "Charlie" and rarely, as in the original silent version of The Gold Rush, "The little funny tramp".

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----- The story begins with Charlie, the Tramp, arriving at a bar, playing on a violin to raise money and exciting a rivalry with competing musicians. This results in a barroom brawl and comic mayhem.
Wandering off into the vicinity of a gypsy caravan in the country, he encounters the beautiful, though bedraggled, Edna. He entertains her with his violin. She has been abducted and abused by the gypsies, chief among them Eric Campbell, who whips her mercilessly. Charlie comes to her rescue and knocks her tormentors over the head with a stick before riding off with her in a commandeered cart. Love develops between them as Charlie washes Edna's face in a bowl and combs her hair. He makes breakfast while she goes to fetch water. On the way Edna meets an artist who lacks inspiration. Edna is his muse and he paints her, including her unique shamrock-shaped birthmark. Edna falls for him and brings him back to the cart where the two talk, while Charlie is ignored. The artist leaves and she is stuck with Charlie.
The resulting painting is seen by the girl's mother who recognizes the unusual birthmark and rushes with the artist to rescue her daughter. They find her with Charlie, who refuses payment from the mother and sadly says goodbye. Edna is driven off in a limousine with her mother, others, and the artist--only to realize she loves Charlie. She orders the car to reverse and take him along with her. #CharlieChaplin

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----- Charles Chaplin portrays a womanizing city man who meets Tillie (Marie Dressler) in the country after a fight with his girlfriend (Mabel Normand). When he sees that Tillie's father (Mack Swain) has a very large bankroll for his workers, he persuades her to elope with him. In the city, he meets the woman he was seeing already, and tries to work around the complication to steal Tillie's money. He gets Tillie drunk in a restaurant and asks her to let him hold the pocketbook. Since she is drunk, she agrees, and he escapes with his old girlfriend and the money.
Later that day, they see a picture show entitled "A Thief's Fate", which illustrates their thievery in the form of a morality play. They both feel guilty and leave the theater. While sitting on a park bench, a paperboy (Gordon Griffith) asks him to buy a newspaper. He does so, and reads the story about Tillie's Uncle Banks (Charles Bennett), a millionaire who died while on a mountain-climbing expedition. Tillie is named sole heir and inherits three million dollars. The man leaves his girlfriend on the park bench and runs to the restaurant, where Tillie is now forced to work to support herself as she is too embarrassed to go home. He begs her to take him back and although she is skeptical at first, she believes that he truly loves her and they marry. They move into the uncle's mansion and throw a big party, which ends horribly when Tillie finds her husband with his old girlfriend, smuggled into the house and working as one of their maids.
The uncle is found on a mountaintop, alive after all. He goes back to his mansion, in disarray after Tillie instigated a gunfight (a direct result of the husband smuggling the old girlfriend into the house) which, luckily, did not harm anyone. Uncle Banks insists that Tillie be arrested for the damage she has caused to his house. The three run from the cops all the way to a dock, where a car "bumps" Tillie into the water. She flails about, hoping to be rescued. She is eventually pulled to safety, and both Tillie and the man's girlfriend realize that they are too good for him. He leaves, and the two girls become friends.

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----- Tillie's Punctured Romance is a 1914 American silent comedy film directed by Mack Sennett and starring Marie Dressler, Mabel Normand, Charlie Chaplin, and the Keystone Kops. The picture was the first feature-length motion picture produced by the Keystone Film Company, and is the only one featuring Chaplin.
The film is based on Dressler's stage play Tillie's Nightmare by A. Baldwin Sloane and Edgar Smith. Tillie's Punctured Romance is notable for being the last Chaplin film which he neither wrote nor directed, as well as the first feature-length comedy in all of cinema. In it, Chaplin plays an entirely different role from his Tramp character, which was relatively new at the time. #CharlieChaplin

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----- Charles Chaplin portrays a womanizing city man who meets Tillie (Marie Dressler) in the country after a fight with his girlfriend (Mabel Normand). When he sees that Tillie's father (Mack Swain) has a very large bankroll for his workers, he persuades her to elope with him. In the city, he meets the woman he was seeing already, and tries to work around the complication to steal Tillie's money. He gets Tillie drunk in a restaurant and asks her to let him hold the pocketbook. Since she is drunk, she agrees, and he escapes with his old girlfriend and the money.
Later that day, they see a picture show entitled "A Thief's Fate", which illustrates their thievery in the form of a morality play. They both feel guilty and leave the theater. While sitting on a park bench, a paperboy (Gordon Griffith) asks him to buy a newspaper. He does so, and reads the story about Tillie's Uncle Banks (Charles Bennett), a millionaire who died while on a mountain-climbing expedition. Tillie is named sole heir and inherits three million dollars. The man leaves his girlfriend on the park bench and runs to the restaurant, where Tillie is now forced to work to support herself as she is too embarrassed to go home. He begs her to take him back and although she is skeptical at first, she believes that he truly loves her and they marry. They move into the uncle's mansion and throw a big party, which ends horribly when Tillie finds her husband with his old girlfriend, smuggled into the house and working as one of their maids.
The uncle is found on a mountaintop, alive after all. He goes back to his mansion, in disarray after Tillie instigated a gunfight (a direct result of the husband smuggling the old girlfriend into the house) which, luckily, did not harm anyone. Uncle Banks insists that Tillie be arrested for the damage she has caused to his house. The three run from the cops all the way to a dock, where a car "bumps" Tillie into the water. She flails about, hoping to be rescued. She is eventually pulled to safety, and both Tillie and the man's girlfriend realize that they are too good for him. He leaves, and the two girls become friends. #CharlieChaplin

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----- Note: Copyright issues are an important matter to us! We use content that has been licensed. if you feel your copyright is infringened, please send us an email so we can handle this directly. Charlie (Chaplin) takes a job as a janitor in the home of Colonel Nutt (unidentified actor), a munitions manufacturer. As the butler (unidentified actor) introduces Charlie to the ill-tempered cook (Billy Armstrong), Colonel Nutt demonstrates his new wireless explosive device to his daughter (unidentified actress). Meanwhile, agents of the "Pretzelstrass" meet with the Count (Leo White) to devise a plan to get at Colonel Nutt's device. Charlie carelessly dumps garbage all over the maid (Edna Purviance) and her freshly cleaned floor. He takes the trash can and dumps it over the fence, inundating the Count in the process. Back in the kitchen, the maid scolds Charlie, but then becomes emotional, and he comforts her. The Count enters the house, and is hit by a wet rag thrown by the maid, but intended for Charlie. The Count tosses it off to the side, and it winds up hitting the cook, and when the cook begins to act cruelly towards the maid in return, Charlie sticks up for her. The Count makes his way to the Colonel, who rejects his offers and has the Count ejected by the butler.
His day's work done, Charlie makes his way to a flophouse for a night's sleep. At this point, a pickpocket (Wesley Ruggles) holds up the Count, but instead of taking his money he agrees to join the caper to liberate Dr. Nutt of his invention. The conversation is overheard by a cop, who then runs off to inform his fellow officers, who are in an abandoned lot, shooting craps. They storm the Nutt house, disrupting its resident, but explain to him that they "are on the trail of a great robbery."
Back at the flophouse, Charlie is prevented from settling down by a loud, singing drunk (James T. Kelley) whom he eventually—and somewhat affectionately—dispatches with a champagne bottle. A thief (also Billy Armstrong) steals in during the night and robs the singing drunk, and although Charlie takes what he thinks are adequate precautions, he is also robbed. Charlie disguises himself under the blankets and manages to get his money back from the thief, but when the thief tries to stab him it wakes everyone up and a fight breaks among all of the men. Charlie manages to escape, dodging several cops on the way. However, he runs into the pickpocket on the street; recognizing him as an old friend, Charlie agrees to help him find a target, and leads him to the Nutt house.
The cops are all still there; lying around, smoking, waiting for something to happen. Pandemonium breaks out when the pickpocket enters the house, and amid the chaos, Colonel Nutt's explosive device is detonated, blowing all of the cops skyward. In the aftermath, the pickpocket is buried in a heap of rubble and Charlie is seen poking his head out of the kitchen stove. Charles Chaplin as The Janitor
Edna Purviance as Maid
Leo White as Count
Billy Armstrong as Cook and Pickpocket
James T. Kelley as Singing Drunk
Bud Jamison as Tramp
Wesley Ruggles as Crook
Albert Austin as Policeman
'Snub' Pollard as Flop house tramp (uncredited)

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----- The reviewer for Bioscope wrote, "Here Chaplin plays the role of the undesired but persistent suitor. The comic element is given special prominence and is quite safe in the hands of this well known comedian."
A reviewer from Kinematograph Weekly wrote, "Plenty of the comic element is introduced and the person who does not laugh at the peculiar antics of Chas. Chaplin--well, must be hard to please."

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----- Charlie Chaplin - Unknown film excerpts / newsreel (Laurel & Hardy)