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----- Note: Copyright issues are an important matter to us! We use content that has been licensed. if you feel your copyright is infringened, please send us an email so we can handle this directly. In one of Charlie Chaplin's "park comedies," another tramp is causing havoc. He attempts to pickpocket Charlie, but finds nothing in his pockets. Meanwhile, Charlie stealthily goes through the pickpocket's jacket and steals a cigarette and his matches. Meanwhile, two couples are having romantic interludes on separate benches. The crooked tramp steals one girl's handbag, but swiftly loses it to Charlie when he tries to pickpocket him a second time. Charlie rescues a hot dog vendor from a thug, but deftly takes a few of the sausages with his cane. Charlie sells the stolen handbag to the other male suitor. A suspicious policemen observes the goings-on and the men realize the bag is stolen and pass it among each other. Finally Charlie presents it as a gift to the other female and receives an affectionate embrace. The bag's original owner becomes angry with her suitor for permitting her bag to be stolen. The suitor is rejected and reacts hyper-dramatically. He intends to drown himself in the park's lake and asks Charlie to assist him. He presents his behind as a target and Charlie gladly kicks him into the pond. Shortly thereafter he also kicks the other girl's suitor into the pond along with the park policeman.

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----- Note: Copyright issues are an important matter to us! We use content that has been licensed. if you feel your copyright is infringened, please send us an email so we can handle this directly. Eine Hommage an Charlie Chaplin (Laurel & Hardy)

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----- Note: Copyright issues are an important matter to us! We use content that has been licensed. if you feel your copyright is infringened, please send us an email so we can handle this directly. In one of Charlie Chaplin's "park comedies," another tramp is causing havoc. He attempts to pickpocket Charlie, but finds nothing in his pockets. Meanwhile, Charlie stealthily goes through the pickpocket's jacket and steals a cigarette and his matches. Meanwhile, two couples are having romantic interludes on separate benches. The crooked tramp steals one girl's handbag, but swiftly loses it to Charlie when he tries to pickpocket him a second time. Charlie rescues a hot dog vendor from a thug, but deftly takes a few of the sausages with his cane. Charlie sells the stolen handbag to the other male suitor. A suspicious policemen observes the goings-on and the men realize the bag is stolen and pass it among each other. Finally Charlie presents it as a gift to the other female and receives an affectionate embrace. The bag's original owner becomes angry with her suitor for permitting her bag to be stolen. The suitor is rejected and reacts hyper-dramatically. He intends to drown himself in the park's lake and asks Charlie to assist him. He presents his behind as a target and Charlie gladly kicks him into the pond. Shortly thereafter he also kicks the other girl's suitor into the pond along with the park policeman.

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----- Note: Copyright issues are an important matter to us! We use content that has been licensed. if you feel your copyright is infringened, please send us an email so we can handle this directly. In this comedy, Charlie Chaplin has a companion--a pet bulldog. Walking along a street with his bulldog, Charlie finds a "good luck" horseshoe just as he passes the training camp of an enormous fighter named Spike Dugan. Outside the camp is a large, painted advertisement which states Dugan is seeking sparring partners "who can take a punch." After watching other better fighters be soundly beaten by Dugan, Charlie decides his best bet is to put the horseshoe inside his boxing glove. Using the loaded glove, Charlie connects with a solid punch and wins. The trainer prepares Charlie to fight the world champion. A gambler wants Charlie to throw the fight. He and the trainer's daughter fall in love.

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----- Note: Copyright issues are an important matter to us! We use content that has been licensed. if you feel your copyright is infringened, please send us an email so we can handle this directly. The film takes place in a silent movie studio. Charlie Chaplin plays stagehand named David who has an enormous supervisor named Goliath (Eric Campbell). David is overworked but is still labelled as a loafer by the lazy Goliath and his supervisor. A country girl (Edna Purviance) arrives at the studio in hopes of becoming an actress, but is quickly turned away by Goliath. Most of the other stagehands go on wildcat strike to protest their sleep being interrupted during their lunch break. Only David and Goliath remain on the job. The girl returns and stealthily dresses in one of the striking stagehand's work clothes. Disguised as a man, she gets a job as a stagehand too. David discovers that the new stagehand is actually a female. When he gives her a series of quick kisses, the action is seen by Goliath who makes effeminate gestures at David. Edna overhears the strikers' plans to blow up the studio with dynamite and helps thwart their villainous plot.
Much of the film is slapstick comedy involving Chaplin manhandling large props, mishandling the control to a trap door, and engaging in a raucous pie-throwing fight which spills over into another studio where a period drama is being shot. In one scene Chaplin deftly carries 11 chairs over his back in his left hand and lifts a piano in his right hand.
Behind the Screen was the last of Chaplin's comedies to use a movie studio as a backdrop. Earlier Chaplin films, such as A Film Johnnie, His New Job, and The Masquerader had also been set, at least partly, in a silent movie studio. In Behind the Screen, Chaplin pokes gentle fun at Keystone Studios where he broke into the movies in 1914 and worked under contract for Mack Sennett for a year. The pie-throwing sequence is an obvious allusion to the Keystone style of slapstick comedies where such skirmishes were overly common. One intertitle humorously refers to the pie-throwing gimmick as "a new idea."

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----- Note: Copyright issues are an important matter to us! We use content that has been licensed. if you feel your copyright is infringened, please send us an email so we can handle this directly. For the film featuring Charlie Chaplin's character of the same name, see The Tramp (film). For the song, see The Tramp (song).
The Tramp
Chaplin in his costume as "the Tramp"
Charlie Chaplin as "the Tramp".
First appearance Kid Auto Races at Venice (1914)
Last appearance Modern Times (1936)[1]
Created by Charlie Chaplin
Portrayed by Charlie Chaplin
Information
Gender Male
The Tramp (Charlot in several languages), also known as The Little Tramp, was British actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. The Tramp is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915.
The Tramp, as portrayed by Chaplin, is a childlike, bumbling but generally good-hearted character who is most famously portrayed as a vagrant who endeavors to behave with the manners and dignity of a gentleman despite his actual social status. However, while he is ready to take what paying work is available, he also uses his cunning to get what he needs to survive and escape the authority figures who will not tolerate his antics. Chaplin's films did not always portray the Tramp as a vagrant, however. The character ("The little fellow," as Chaplin called him) was rarely referred to by any names on-screen, although he was sometimes identified as "Charlie" and rarely, as in the original silent version of The Gold Rush, "The little funny tramp".