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----- Made by Keystone Studios and directed by Henry Lehrman, the movie portrays Chaplin as a spectator at a "baby-cart race" in Venice, Los Angeles. The spectator keeps getting in the way of the camera and interferes with the race, causing great frustration to the public and participants. The film was shot during the Junior Vanderbilt Cup, an actual race with Chaplin and Lehrman improvising gags in front of real-life spectators.[2]
Unusually the camera breaks the fourth wall to show a second camera filming (as though it were the first), to better explain the joke. At this stage Chaplin gets in the way only of the visible camera on screen, not the actual filming camera. In so doing it takes on a spectator's viewpoint and becomes one of the first public films to show a film camera and cameraperson in operation.
Charlie Chaplin – The Tramp
Henry Lehrman – Film Director
Frank D. Williams – Cameraman
Gordon Griffith – Boy
Billy Jacobs – Boy
Charlotte Fitzpatrick – Girl
Thelma Salter – Girl[5][a]

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----- Behind the Screen is a 1916 American silent short comedy film written by, directed by, and starring Charlie Chaplin, and also starring Eric Campbell and Edna

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----- Das große Stummfilmfestival 2020 in BERLIN Januar 2020: Es präsentiert Stephan Graf v. Bothmer. TICKETS unter: http://www.stummfilmkonzerte.de/ort-eintritt/Berlin-Festival2020-Delphi-zwoelfapostelkirche-Nosferatu-in-concert.html

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----- Charlie is an assistant to Izzy A. Wake, a painter and paper hanger. The two men are on their way to a job via a cart. The boss rides in the cart, leisurely sitting atop all their paraphernalia, while Charlie is hitched to the cart like a mule. The boss also treats Charlie like a mule, beating him with a stick to get him to move faster. When the boss opts to take a shortcut up a steep hill, the out-of-control cart descends and is nearly hit by an oncoming streetcar. A second attempt to scale the enormous hill is successful. At the house they are to paper, Charlie becomes distracted by the pretty maid. The boss has a misadventure and falls, his head ending up in a bucket of paste. Meanwhile, the short-tempered homeowner is contending with the threat of an exploding stove and an amorous French visitor who is making passes at his wife. Shots are fired—and the target turns out to be Charlie who has been enjoying the maid's company. An enraged Charlie gives the Frenchman, his boss, and the homeowner each a face full of paste. As the fight moves into the kitchen, the troublesome stove finally explodes. When the dust dies down, Charlie is nowhere to be seen. Slowly the oven door opens. Charlie looks out and retreats back into the stove.

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----- The Tramp (Charlot in several languages), also known as The Little Tramp, was British actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. The Tramp is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915.
The Tramp, as portrayed by Chaplin, is a childlike, bumbling but generally good-hearted character who is most famously portrayed as a vagrant who endeavors to behave with the manners and dignity of a gentleman despite his actual social status. However, while he is ready to take what paying work is available, he also uses his cunning to get what he needs to survive and escape the authority figures who will not tolerate his antics. Chaplin's films did not always portray the Tramp as a vagrant, however. The character ("The little fellow," as Chaplin called him) was rarely referred to by any names on-screen, although he was sometimes identified as "Charlie" and rarely, as in the original silent version of The Gold Rush, "The little funny tramp".

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----- THE FACE ON THE BARROOM FLOOR (1914)
Based on the poem of the same title by Hugh Antoine d'Arcy
Starring: Charlie Chaplin, Vivian Edwards, Cecile Arnold, Jess Dandy, Edward Nolan, Charles Bennett, Chester Conklin, Hank Mann, Harry McCoy, Fritz Schade
Directed by Chaplin
Keystone Film Company

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----- A beautiful girl's father (Bacon) arranges with the local fire chief (Campbell) to have his house burn down so he can collect the insurance money. In exchange for the chief's complicity in the arson, the father will permit the fire chief to marry his daughter.
However, a real fire breaks out elsewhere in the town. The firemen ignore an inhabitant of the burning building as he tries to alert them to the fire, first by activating the fire alarm, then by phoning the fire station, and then by going to the fire station in person. Eventually, a fireman (Chaplin), alerts the fire chief and the company extinguishes the fire.
Meanwhile, the father deliberately sets a fire in the basement of his own house without realizing his daughter is still inside the house on the upper floor. Upon knowing his daughter is in mortal danger from the fire, he rushes to find the fire chief to cancel the arrangement not to extinguish his house fire. The fireman (Chaplin), who is also in love with the daughter, abandons the first house fire to rush to the second one. He heroically scales the outside of the building to save her.

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----- Charlie gets into a fight at his regular bar and finally crawls out under the door. He then boards a streetcar and follows a beautiful lady in a taxi. He breaks into her home. Her husband comes finds him trying to seduce his wife.

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----- Mabel's Married Life is a comedy film made by Keystone Studios starring and co-written by Charles Chaplin and Mabel Normand, and directed by Chaplin. As was so often the case during his first year in film, Chaplin's character is soon staggering drunk.

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----- released on June 20th, 1914 by Mack Sennett's Keystone Studios.
Mabel Normand - Mabel
Charles Chaplin - Mabel's Husband
Mack Swain - Wellington
Eva Nelson - Wellington's wife