Актеры • Чарли Чаплин
(по поступлению)

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----- Syd Chaplin: The Pirate (Laurel & Hardy) Color

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----- Chaplin Festival (Laurel & Hardy) Color

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----- Charlie, the Hollywood King (Laurel & Hardy) Color

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----- Charlie Chaplin: Work (Laurel & Hardy) Color HD

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----- Charlie Chaplin: POLICE (Laurel & Hardy) Color

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----- Charlie Chaplin: Those Love pangs (Laurel & Hardy) Color HD

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----- Charlie is eating a banana while wandering along the seashore on the Crystal Pier. He nonchalantly throws the banana peel away and quickly slips on it. Shortly thereafter Charlie encounters a drunk. The two men argue over their hats which have blown off their heads in a heavy wind. They fight for a while but become weary of battling. They call a truce and agree to have ice cream cones together. However, an argument ensues over which man will pay for them. Their battle resumes. They smear the cones over each other--and over a six-foot dandy who standing at another counter. A second battle begins but Charlie slips away and starts flirting with the dandy's sweetheart. At the end of the film Charlie is seated on a park bench surrounded by his enemies: the drunk who wants to continue their fight, the angry dandy, the drunk's wife, and the dandy's wife. Charlie cleverly tips the bench backwards, toppling everyone and allowing him to make a hasty escape on foot.

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----- Triple Trouble is a two-reel American silent comedy film that was released in 1918. It stars Charlie Chaplin, Edna Purviance, and Leo White. This film was not an official Chaplin film, even though it has many Chaplin-directed scenes; after he left the studio,Essanay edited it together using outtakes and newly shot footage directed by Leo White. It had already been established in court that Chaplin had no legal control over the films made during his time with Essanay and could not prevent its release.

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----- A beautiful girl's father (Bacon) arranges with the local fire chief (Campbell) to have his house burn down so he can collect the insurance money. In exchange for the chief's complicity in the arson, the father will permit the fire chief to marry his daughter.
However, a real fire breaks out elsewhere in the town. The firemen ignore an inhabitant of the burning building as he tries to alert them to the fire, first by activating the fire alarm, then by phoning the fire station, and then by going to the fire station in person. Eventually, a fireman (Chaplin), alerts the fire chief and the company extinguishes the fire.
Meanwhile, the father deliberately sets a fire in the basement of his own house without realizing his daughter is still inside the house on the upper floor. Upon knowing his daughter is in mortal danger from the fire, he rushes to find the fire chief to cancel the arrangement not to extinguish his house fire. The fireman (Chaplin), who is also in love with the daughter, abandons the first house fire to rush to the second one. He heroically scales the outside of the building to save her.

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----- The Tramp (Charlot in several languages), also known as The Little Tramp, was British actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. The Tramp is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915.
The Tramp, as portrayed by Chaplin, is a childlike, bumbling but generally good-hearted character who is most famously portrayed as a vagrant who endeavors to behave with the manners and dignity of a gentleman despite his actual social status. However, while he is ready to take what paying work is available, he also uses his cunning to get what he needs to survive and escape the authority figures who will not tolerate his antics. Chaplin's films did not always portray the Tramp as a vagrant, however. The character ("The little fellow," as Chaplin called him) was rarely referred to by any names on-screen, although he was sometimes identified as "Charlie" and rarely, as in the original silent version of The Gold Rush, "The little funny tramp".